Friday, 30 October 2015

Designs

In this post I have art inspired by all three of my artists called "Dying Daisy" and then workshop sketches developed from my inspirational piece.

Critical Studies

1. Martin Gustavsson
2. Martin Gustavsson
3. Anna Sidi-Yacoub
4. Martin Gustavsson
5. Claire Schroeven
6. Claire Schroeven
7. Claire Schroeven
8. Anna Sidi-Yacoub

Tuesday, 27 October 2015

Experiments in Water Colour

Bibliography

Claire Schroeven

Claire Schroeven Verbiest is a Belgian native who now lives in San Jose, California with her husband and their two children. Verbiest is an award-winning artist and a signature member of several art societies. She is well known for her lively art pieces of people, landscapes, flowers and objects and for her vibrant and strong use of color. She teaches watercolor and pastel painting classes and conducts painting workshops throughout the US, Canada and Europe.

Martin Gustavsson

Born in 1964, Martin Gustavsson lives and works in London. In 1994-96 Martin Gustavsson studied at The Royal University College of Fine Arts in Stockholm. Before that, in 1991-94 Middlesex University he studied BA Fine Art, in 1990-91 Middlesex Polytechnic, Art Foundation and in 1983-84 University of Gothenburg, Political History. 
His art work is very abstract but sometimes has very realistic touches to his work. His work titles seem to show a very open minded perception to his art work.

Anna Sidi-Yacoub

Anna Sidi-Yacoub works in different media such as Ink, Watercolours, Acrylics and Pencils. In her paintings and illustrations, she focuses on portraits most female, children and animals. She is always looking for projects and collaboration.

Workshop Plans

Explination and Analysation of researching: 'The World We Live In"

Thursday, 1 October 2015

Day 4 - V&A


Today was quite simple due to being quite well breifed on retreival leading and periodical shelving.
I had an idividual job which was given by my line manager, this was to look at slides and check the database to see whether we had a copy of it and to put either disgard or keep if we hadn't.
Also, we had a go trying to set up our emails and working out certain Saturdays and our toil.
To finish we reshelved books.
Its begining to get more stuck in my head so theres nothing didferent till we begin counter work.

Photos: work wear

Day 3 - V&A

31/09/15

Today I worked mostly in returning and retrieving books that were to go back. I was working with Hannah, who has worked at the V&A around 6 weeks, and we were based in the crypt which needed a key in the elevator to get to gound 0. First we did some retrievals and as there were books ready to be returned we also put them back while down there. When we came back we went through the main part if the museum and went through rolling stacks east to use the elevator to get to floor 1. Later, I worked with Hannah again to log books that had been retrieved by staff as "filled" and then shelved them under certain letters of their names. We logged the books either by scanning them or inputting them manually.
After a break, I shadowed book logging until dinner and then began a pressmark quiz at my desk in the office.
Later we began talking to Aiysha more about counter work (book returns, book collections and logging them back onto the system.) We also learnt a bit about the Special Collections and how they had to be invigilated by a member of staff at all times due to their age and how fragile they were.
After this we had to return all the books which had  been logged and put back onto the trolleys. This was easy but some were harder than others.
Overview: Fun yet simple, productive day.

Photos - the museum empty, my work wear, the station name in highlights, counter training checklist, the NAL where I work, crowded tube to finsbury park.